EU Commissioner Siim Kallas think it is a central office in the center too, so life is excluded fro

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Veronika Valk
EU Commissioner Siim Kallas think it is a central office in the center too, so life is excluded from it. Will my current cafeteria and Moscow City Hall should be back kortermajadeks. Interviewed by Architect Veronika Valk.
Siim Kallas: Mies van der Rohe, the most I've realized that the architecture is - speaking of creativity in architecture - the art of proportions. And Mies van der Rohe designed the Massachusetts Institute of Technology study building is an example of the examples in this sense that there was said to him: "Money is scarce, budgets 1881 census are limited, but do something." And he did it within 1881 census the budget of a genuine work of art, which is actually a box. What is so simple, but elegant at the same time so that you can understand: there is talent. One is a handmade box, but the box is a work of genius on the other.
SK: The boundaries are not always 1881 census available, anytime, anywhere. Do or physics. You can not, after all, build a house, which stands on top of a sharp tip and fall just around. Some engineering calculations and clear the mind must be there in the back. Decision making whether in politics or the economy, it is the same story. Of course, creativity is needed everywhere - you have to be a little bit restless and wait and see this spirit that suddenly comes out of nowhere. Creativity and käsitööliku the thing is, of course, is always a difference. When it comes to creativity as such, I will bring such an example. 1881 census I had a - a - a lot of friends and acquaintances, and one of them ever thought that he is a poet. I remember the year he went to the village decades ago, and he sat down at the table, in front of blank paper, and thought that he is now writing poems. But nothing came. The next day will not come to anything. And after next day will not come to anything. 1881 census Then he finally gave up, probably because 1881 census creativity is such that you can not just sit down, so now I'm going to set up, but you still have to wait for some kind of spark.
SK: This is a question that is difficult for me to answer, although I appreciate the hard historical heritage. Urbanism, Tallinn and elsewhere, 1881 census can not be considered 1881 census separately for each object. If you still have the opportunity to create a comprehensive urban space with a human dimension, greenery, pargikeste and ärikestega, and in between is one of the wooden house, built in 1905, and the house has been taken under protection, and therefore can not do nothing around it are all ugly houses, and it prevents any kind of innovation in the tree house, then I guess it does not make sense. When I come back to Estonia, then you'll do a photo exhibition "Kole-Tallinn" these houses and places that seem to me particularly ugly. And among them, there are a number of these, which really just bring a hair inside. Where space is not considered as a whole, only a single object, so that it is sacred and inviolable. If the proportions of the architecture is an art, it is the urbanization of space art. Urban space is one of a whole which is both old and new houses with greenery, where the people are. This is a whole would like to see more.
VV: Estonia has a population of 1.4 million. Wherever 1881 census you go, it sounds like a metropolitan joke. Is Estonia 1881 census in the spatial planning to look at the country as a whole, along with the development of the railway network, and so on?
SK: Well, the territory of Estonia